Morgan Sam Lee Burtwistle, who streams as Angryginge, was born in 2001 and grew up in Salford, in Greater Manchester. The name is self-explanatory and self-aware: red hair, a short fuse on camera, and a willingness to be the joke.

Football is the spine of everything he does. He came up watching and playing it, built an audience on the FIFA video games, and has ended up managing a team in a televised six-a-side league. The career only makes sense as a football career conducted through a webcam.

He created his Twitch account in October 2020 and started streaming FIFA gameplay part-time. There was a break, and then a return in March 2021 when he committed to it properly. A YouTube channel followed in September 2021, filled with FIFA 22 uploads.

The money in that first stretch was negligible, which is the normal experience. Twitch pays affiliates roughly half of a £3.99 subscription and a few pounds per thousand advert impressions, so a channel with a few hundred concurrent viewers earns beer money. Our estimate for his first full year is under £20,000 gross, most of it subscriptions and bits from an audience that treated him as a mate rather than a broadcaster.

The step change came across 2023 and 2024, when the football audience found him and the numbers stopped being hobbyist. He played for Sidemen FC in the Sidemen charity match at the London Stadium in September 2023, in front of a sold-out crowd and millions of streams, and Sky Sports later listed him as one of the managers of the Baller League alongside John Terry. By February 2026 he had passed 1.5 million followers on Twitch and a million subscribers on YouTube.

Here is the money from the craft, which for a streamer is subscriptions, platform advertising, donations and sponsorship. Our estimate of the platform line at his peak: a Twitch channel of that size typically carries 2,000 to 5,000 paying subscribers netting £2.00 to £2.70 each a month, or £5,000 to £13,000 monthly, and Twitch advertising on a full-time schedule adds a similar amount again — call the Twitch line £120,000 to £250,000 a year. YouTube, at a British gaming revenue-per-thousand of £1.50 to £3.00 on 15 to 25 million views a year, adds £30,000 to £70,000, and donations a five-figure sum on top.

That puts his platform earnings at roughly £170,000 to £340,000 a year at the top of his streaming run, before sponsorship, television or tax. Across 2021 to 2026, ramping from almost nothing, our estimate of gross platform income is £550,000 to £1.1 million.

In December 2025 he won the twenty-fifth series of I’m a Celebrity… Get Me Out of Here!, which turned a streaming name into a mainstream one overnight. STV News reported that he took 53 per cent of the final-three vote and 65 per cent of the final two against Tom Read Wilson. He was the contestant the series built its trials around, and RTÉ recorded the win with the detail that he had not expected to get near the final.

Our estimate of what the booking paid: a first-time reality contestant with a large but non-broadcast following sits in the £80,000 to £150,000 band for a full series, well below the headline names. The fee is the smaller half of the value, though. Winning reprices everything else he sells, and that uplift is worth more over two years than the appearance money was.

The recognition is unusual in its direction of travel. Most reality winners arrive with a broadcast profile; he arrived with an internet one, and the jungle converted it. National outlets covered the win as a story about a Salford YouTuber rather than a light-entertainment result.

Inside football he already had standing. Managing a Baller League side alongside a former England captain, and playing in the charity match that fills a Premier League stadium, are the sport’s own way of accepting someone. Football credibility plus prime-time ITV is what makes him commercially interesting, rather than either alone.

This is the largest single line in his accounts and the one that grew fastest after December 2025. Gaming publishers, energy-drink brands, streetwear labels and football businesses all want a British male audience in its teens and twenties, and he delivers one across two platforms.

Our estimate: a creator with 1.5 million Twitch followers and a million on YouTube prices an integration at £10,000 to £40,000, and a full-time schedule absorbs fifteen to thirty a year. That is £250,000 to £600,000 annually at the peak, and across 2023 to 2026 our estimate of the total is £700,000 to £1.5 million.

The business is the channel, run the way British creators at his level run them: through a limited company, with an agency handling the commercial side and merchandise drops timed to the content calendar.

Our estimate of the merchandise line is £40,000 to £120,000 of gross margin across the period, because clothing sells on catchphrase and community rather than audience size. What he does not have is the thing that makes a creator wealthy rather than well paid: an equity stake in a brand, a production company or a drinks label. With a reality win just banked, that is the obvious next move.

He has stayed in the north-west rather than moving to London, which matters to the arithmetic: the same money buys far more house in Greater Manchester than in the capital.

Our estimate of the property component is a home in the £400,000 to £900,000 band, the range a successful young creator buys into around Manchester, held with a mortgage. Add a car or two and studio equipment, and the rest of the asset side is cash and investments. There is no portfolio, second home or collection on the public record.